Listen to Merrilee Rush tracks for free online and get recommendations on similar music. Tina Turner was my idol. In honor of the Seattle Music Project, a photo exhibit on display in our flagship Seattle store, we’ll be highlighting iconic Northwest musicians from the past five decades. The song, composed in 1966 and released in 1968, rocketed up the charts and has since been recorded by dozens (read: countless) of other artists. So, I don’t. I was very proud of this album because it was an incredible production. At the end of that tour we went to Memphis because they were finishing up their Goin’ to Memphis album. Did you ever hear Shaggy’s version of “Angel?”. It’s kind of dingy. Well, it took me nationally. See more ideas about Angel of the morning, Rush, Singer. The session guys that were in that studio did tracks on The Box Tops and “Sweet Caroline,” they did the tracks on Elvis [records], they did “Son Of A Preacher Man,” they were just an iconic session band. We caught up with Rush, who recently turned 75, to talk about her origins as an artist in the Northwest, how she came to sing the iconic track and what she learned throughout her career. But in TV, these are professional people who know their place and their job and they do it really well. Merrilee Rush Angel Of The Morning records, LPs and CDs. So, I was a fledgling even though I’d been playing dances for, you know, eight years at that point. When I read the lyrics, I thought, “Well, if people really pay attention to this lyric, they’re going to want to hear this again.” Because it was really progressive. But it was such a beautiful way of expressing it. And being in L.A. was a groovy time. Well, I found that there was sexual harassment in the recording field. But, all in all, what I really enjoyed was coming back to the Northwest and playing the dances. God no! Just over 50 years ago, the song, “Angel of the Morning,” hit the national airwaves and turned Seattle’s Merrilee Rush into a household name.. It’s one of those tunes you just don’t sing out of the blue. Today: amped-up garage rock and melodic pop from the ’60s. And Jerry Williams also hired independent promo men, which really helped at the time. It’s, like, you can’t go back. They would listen to a demo and they would write down the chord numbers and then create the track that way. What did you learn about yourself as you went through all the success? Mark with Merilee Rush on the 'Happening '69' show. Was there a technique you learned in those lessons that opened things up for you? What did it feel like to record the song in real time? I started out as a piano player and I was not a great – well, you know, I loved singing harmony and choruses and stuff. Whereas, Hollywood, there was a lot of that in the shopkeepers. The only thing that was left was, kind of, the melody. I was very lucky to be in that studio. He wrote the backside of “Angel” and went on to write hits for everybody. I realized the extent of my growth at that period and at that time. In fact, if I’m out and about playing music and somebody asks me to sing it, I really have to decline, unless I’m really warmed up. Was it difficult being a woman at the top of your game in 1968? Every time they came to town. But leading up to that, there was a fellow named Jerry Williams who was tour managing for the Raiders and he came up to see me perform because an ex-roadie of ours was the roadie for Paul Revere and he suggested I be on this tour. But what I always like to do is keep that R&B feel when doing pop. And they were all over the Northwest. I just did the recordings. I met this gal who, when in high school, they were going to sing “Angel of the Morning” for their school musical and they were not allowed to do it. Text below by Charles R. Cross, excerpted from the exhibit. But they didn’t read. We did R&B in the early 60s but then we had to leave the R&B circuit and start a pop band because when the Beatles came along, they killed R&B. That’s what we tried to do. The more experiences you have meeting other people and going to places you never would have gone, you expand. See more ideas about Angel of the morning, Rush, Singer. When I finally took singing lessons, I had already started getting polyps on my vocal chords. So, playing R&B, when Tina and Ike Turner and Bobby Bland and James Brown came to town, we would go see them. It was really a very progressive song for its time. That was my experience over and over again but it was a wonderful experience.

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