“Sailing Across the Ocean”? “Goodbye to Romance” is a vintage breakup song — one that shows Ozzy is more than his Prince of Darkness alter ego. Torres Describes Harrowing 48 Hours Trying to Return Home, The Viral Countdown: The Race to React to COVID-19, The Cost of Coronavirus: How Young Guv Ended Up Stranded, um barrage and Rhoads’ charging riff hit your ears. Who really knows and who cares; it’s just a great fucking song. The wedding songs you choose to accompany each event is important, as it will set the mood for the moment. 82 R&B Wedding Songs for Every Musical Moment.
There was only one thing left to do at that point: get drunk and high for months on end at Le Parc hotel in West Hollywood — and that’s exactly what Ozzy did. The “wine is fine but whiskey’s quicker/suicide is slow with liquor” opener leaves little room for misinterpretation. The Essential Ozzy Osbourne: 01 January 1970 : Miracle Man: The Ozzman Cometh: 01 January 1970 : Miracle Man: Just Say Ozzy: 17 March 1990 : Miracle Man (Live At The Tower Theater, Philadelphia, PA – June 1989) No Rest For The Wicked (Expanded Edition) “Over the Mountain” acted as a warning shot Diary of a Madman wasn’t going to lose any of the momentum stemming from Blizzard of Ozz. “Over the Mountain” acted as a warning shot, Ariana Grande Delivers Sultry Yet Forgettable R&B on. Check. He’s had a lot of help along the way, including from Sharon, his zealous manager-turned-spouse, and two guitar Gods in Randy Rhoads and Zakk Wylde. It’s more fun to think this song is about Ozzy gloating after the success of Blizzard of Ozz, reveling in the fact he was suddenly bigger than the band that had just fired him; imaging Ozzy smirking as he sings the chorus isn’t hard.
/ How do I know, I got left behind,” Ozzy cries early on. No one would have bet on this — not even Ozzy himself. The title track from Ozzy’s best solo album is built on a rock-solid foundation: Daisley’s hypnotic bassline and Wylde’s crunching guitar riff, which sounds like it’s responding to each line from Ozzy with its own guttural yelps. Washed up. A blunt rocker whose grim lyrics shouldn’t be as catchy as they are.
But reading the lyrics, it’s hard to escape that it’s probably just about drugs — something Ozzy was ingesting like vitamins on the “Diary” tour.
It’s all here: the unsettling intro; hard-thumping drums; a sinister bass line; a blistering guitar solo from Wylde; the booming final minute that sounds like a frenzied high school chant; and Ozzy’s trademark vocals carrying the day. It opens with an ominous synthesizer fit for a gothic cathedral and leads into Ozzy yelling “I want to know what you meant!” — an answer he knows he won’t be getting any time soon. This is 272 seconds of flawless heavy metal. And the song itself is undeniable. Instead, he went on to have a remarkable second act, punctuated by the good: 12 studio albums, including Ordinary Man, which is out on Feb. 21, a grip of iconic metal songs, and a mega-festival with his name on it. And that’s before factoring in the tragic death of Rhoads a year earlier, a loss that shook Ozzy for years and left his band at a crossroads. READ MORE. “I just resigned myself to the fact that it was over,” Ozzy said in his aforementioned book about how he felt following his exile from the band — “it” being his run as a famous rock frontman. Another headbanger courtesy of the Ozzy-Lemmy pairing. “What’s the future of mankind? Daisley’s paranoid lyrics, combined with Ozzy’s eerie delivery, give this a demented Howard Hughes-not-leaving-his-room-for-months-on-end vibe. This is 272 seconds of flawless heavy metal. Ozzy wails for two minutes, sounding like a man trying to catch his breath, before ceding the spotlight to Rhoads, who does the rest. And the ugly: licking piss off the ground while on tour with Motley Crue, and, depending on who you ask, The Osbournes. OZZY OSBOURNE - "I Just Want You" (Official Video) - YouTube Copyright
You turn on the local classic rock station, you’re going to hear it. Buoyed by Ozzy and Rhoads, “I Don’t Know” moves at a breakneck clip for the first two-and-a-half minutes before suddenly taking a U-turn. If you’re trying to convince some newbie of Ozzy’s standalone greatness, “Mr. All Rights Reserved. Without mentioning his last name, this is a blistering attack on ‘80s televangelist Jimmy Swaggart, a prominent critic of Ozzy and generally anything else that was fun at the time. It took all of 16 seconds to squash any doubt Ozzy could thrive post-Sabbath, with Rhoads’ iconic guitar riff descending from God knows where and blitzing the listener’s ears. Recency bias, you say?
The fact that it didn’t end with a bloated Ozzy being carried out of some dingy hotel room remains a miracle. The song’s MVP is Slash, whose frantic guitar playing in the final minute makes it feel like you’re being jetted to an unwanted meeting with Satan. Check.
This list probably shouldn’t have happened. Props to bassist Bob Daisley, who helped Ozzy capture the pain of breaking up with Black Sabbath here and still found a way to make it work for listeners going through their own fraying relationships. Ozzy Osbourne & Travis Scott), You Said It All (Live – from Mr Crowley EP), ORDINARY MAN - NEW ALBUM - CLICK HERE FOR EXCLUSIVE ITEMS. The bridge — “I have to take this chance goodbye/to friends and to romance/and to all of you, and to all of you” — is what takes this song to another level; Ozzy’s vocals make it easy to picture him shedding a tear while in the recording booth. What do you really expect from me?” Wylde shreds, even by his own standards, on this track while Ozzy belts out defiantly, serving notice he was — at least for the moment — sober and fully capable of keeping up with rockers two decades his junior. "Every Breath You Take," by The Police (Although it sounds romantic, the song is really about a stalker.) It sure is. But the story is fiction, of course. Or “Sharon Arden, Thelma Osbourne,” a combo of Ozzy’s former and current wife? The title track that saves an otherwise forgettable album. Ozzy, Wylde and Lemmy must’ve spent a week studying everything good and bad about ‘80s power ballads before hammering this out. And the video remains an enduring reminder that an excessive amount of coke and alcohol isn’t good for you. Another four decades down the line, when Ozzy isn’t around anymore — well, probably — “Crazy Train” will still be rolling on. Check.
“Mr. Check. Rhoads’ guitar in the final minute gives you the impression you’re suddenly dodging lightning bolts, while the creepy background vocals sound straight out of The Omen. But there’s a reason you can’t escape “Crazy Train” four decades later: it’s unequivocally one of the best hard rock songs of all time.
A song where Ozzy calls out hypocritical bible thumpers probably isn’t going to suck. Blizzard of Ozz-Diary of a Madman 30th Anniversary, No Rest For The Wicked (Expanded Edition), Goodbye To Romance (2010 Guitar & Vocal Mix), I Don’t Want To Change The World – Live 1991-1992, Miracle Man (Live At The Tower Theater, Philadelphia, PA – June 1989), Paranoid – Live At The Roundhouse, London, England – 2010, Revelation (Mother Earth) (from Ozzy Live), RR (Outtake From “Blizzard Of Ozz” Sessions), Steal Away (The Night) [With Drum Solo] (Live 1981), Take What You Want (feat. Tinkertrain” is the song to put on. Most fans would like to forget this era ever happened… but this is a catchy tune, especially when judging by cheesy hair metal standards. He’d drive this home even more six months later when The Osbournes debuted on MTV, showing that Ozzy was a regular dad — albeit one that’s rich, famous, talented, and wears tassels under his arms when he goes to work. Wylde’s chugging guitar, echoing a motorboat idling into the harbor, puts the song over the top. It sure is. “Crazy Train” has been played to death by this point. Ozzy howling, “Don’t you ever take my name in vain,” ties together an on-point vocal performance and puts those who assumed he didn’t have another all-time record in him officially on notice. Inevitably, Swaggart was soon caught with his pants down, literally, cheating on his wife with an escort. The live version on 1993’s Live & Loud is even better than the original, with Wylde’s guitar sounding dirtier and sludgier, making it a perfect fit for a song about a fallen preacher. It hits the trademark symbols fans have come to expect — death, darkness and hell — and finds a way to mix in the line: “I’ll make you scream/I’ll make you defecate” without sounding completely ridiculous.
"Blurred Lines," by Robin Thicke (The tune is catchy, but the lyrics aren't appropriate for when grandma is nearby.) An authoritative capper to an album that was anything but a sophomore slump. A monster chorus, complete with thundering background vocals? With the ‘80s on the horizon, Ozzy appeared done. “I’m not the Anti-Christ or the Iron Man,” Ozzy howls on this 2001 track.