Bismillah was explaining the unique features of Vilayat Khan’s style that brings out from the cognoscenti the spontaneous applause as ‘aah, aah’ instead of the more common ‘wah, wah’. Prayer.’.

[4], Vilayat was born in Gouripur, Mymensingh in then East Bengal in British India and current Bangladesh. On his 92nd birth anniversary on August 28, here is a note on the interests of the man beyond his music. In the 1950s, Vilayat Khan worked closely with instrument makers, especially the famous sitar-makers Kanailal & Hiren Roy, to further develop the instrument. Required fields are marked *.

1975), also a professional sitarist. He was married twice. During the mid 1960s, he came to Shimla as a g

Son enseignement provient de son père, modifier - modifier le code - modifier Wikidata. [3], Vilayat composed and conducted the score for three feature films – Satyajit Ray's Jalsaghar (1958) in Bengali,[4][7] Merchant-Ivory Productions' The Guru (1969) in English,[1][4] and Madhusudan Kumar's Kadambari (1976) in Hindi. Khan’s life was so integrated with his music that analysing one without the other seems impossible.

Ses parents se sont rencontrés à New York, à l'ashram de Pierre Bernard, yogi Américain et demi-frère de sa mère Pirani Amina Begum[1]. [4][3], When he died from lung cancer in 2004, Vilayat Khan had been recording for over 65 years and broadcasting on All India Radio almost as long. Their personalities, largely shaped by their background and upbringing, were very different, as was their impact on the public psyche, at national and international levels.

He was a musician by birth because he was born in a family that had worshipped Indian classical music … ‘If the Khansahib says “too much salt in the curry”, I repeat after him like a Vedic chant, “too much salt in the curry”.’ Devidayal provides intimate glimpses of these personal episodes as well. He now writes mostly on public affairs in national dailies. 1960). For a while, he also boycotted All India Radio. Also, he liked to perform without a tanpura drone, filling out the silence with strokes to his chikari strings. [1][4] His father Enayat Khan was recognised as a leading sitar and surbahar (bass sitar) player of his time, as had been his grandfather, Imdad Khan, before him. The Press Trust of India reported that Vilayat Khan had lung cancer, diabetes and hypertension. Vilayat Khan, as those who follow Hindustani classical music may know, was the Great Gatsby of the sitar. As the elder of two sons (the other being Imrat Khan, the surbahar player, who had passed away in 2018) of the legendary sitarist Enayat Khan and Basheeran Begum, and grandson of Imdad Khan (after whom the gharana is named), Vilayat lost his father at the age of ten. So do stories of him living life in regal splendor. The infant is music itself.” ― Hazrat Inayat Khan tags: metaphysics, music, philosophy. He alleged that the Sangeet Natak Akademi had been influenced by lobbying, politics and favouritism while deciding the awardees.

After the second marriage with Lisa, his son Hidayat was born. Abdul Karim Khan represented beauty. It was not only the nature and nurture but also the nature of nurture that made him what he was. Vilayat Inayat Khan (19 juin 1916 - 17 juin 2004) était un professeur de méditation et des traditions de l'Ordre Chishtiyya du Soufisme de l'Inde de l'est. Unfortunately, in much of our public space we tend to reduce such talents into a binary of who is greater: Ravi Shankar or Vilayat Khan? Yet, his music continues to reverberate.

Two Ravi Shankars would not have served the same purpose. Devidayal has traced the evolution of Vilayat Khan—the handsome man and the awe-inspiring artiste—through his early days in Gowripur to Calcutta, Delhi, Bombay, Shimla, Dehradun, Princeton and other places in India, Europe and the US, visiting each location where he had spent years of his life and meeting his relatives, friends, and disciples, weaving a story that is both interesting and truthful. The man who emerges from the pages of this book is a musician whose life and art bore the stamp of a tumultuous childhood and agonising adolescence. Vilayat Khan made the United States his second home and had a residence in Princeton, New Jersey besides Dehradun and Kolkata, India. His performance at the concert organized by Vikramaditya Sangeet Parishad, Mumbai in 1944 drew the headline "Electrifying Sitar". Your email address will not be published. "If there is any award for sitar in India, I must get it first", he said, adding that "there has always been a story of wrong time, wrong person and wrong award in this country".[2]. [3][1][2], NDTV (New Delhi Television) reportedly quoted the prime minister of India, Atal Bihari Vajpayee, saying this in a statement, "Ustad Vilayat Khan was a child prodigy to whom goes the credit of taking the sitar beyond the shores of this country."[4]. In fact, the sitar was an extension of his body. In the 1990s, his recording career reached a climax of sorts with a series of ambitious CDs for India Archive Music in New York, some traditional, some controversial, some eccentric. [4][3], In 1964 and 1968, respectively, Vilayat was awarded the Padma Shri and Padma Bhushan awards – India's fourth and third highest civilian honours for service to the nation – but refused to accept them,[4][3] declaring the committee musically incompetent to judge him. His son Shujaat Khan (b. He had three children from his first marriage: Yaman Khan, Sufi singer Zila Khan,[11] and sitarist Shujaat Khan (b. Vilayat Khan himself composed many bandishes using the pen name, Nath Piya. 148 likes. Inayat Khan nait en 1882 à Baroda, dans une famille de musiciens connue depuis plusieurs générations. Khan’s domineering personality led to clashes with his doting brother Imrat as also with some of his closest ones.

During his long career, he toured and performed in South Asia, China, Africa, Europe and the former Soviet Union. The brothers played duets in their youth but had a severe falling-out and for years were not on speaking terms.
Khan was commissioned by Satyajit Ray to score the music for Jalsaghar (The Music Room, 1958) that won the Best Music award at the first Moscow Film Festival.

Vilayat Khan died on 13 March 2004 at Mumbai, India at age 75. [1][2][3] Along with Imdad Khan, Enayat Khan, and Imrat Khan, he is credited with the creation and development of gayaki ang (an attempt to mimic the sound of the human voice) on the sitar. 1960). When Nehru fell ill, it was Khan who was invited to play the sitar by his bedside to soothe his nerves for a restful sleep. ^ He kept his childhood interest in vocal music all his life, often singing in concerts, and composed khyal bandishes using the pen name Nath Piya. Ustad Vilayat Khan (28 August 1928[1] – 13 March 2004) was an Indian classical sitar player. [8], The Imdad Khan family is of Rajput lineage. 1975), also a professional sitarist. Written with sympathy and elegance, this work in fifteen chapters, seeks to capture the personality of the sitarist and his art in all its complexities. He was known for improvisation with his knack for finding the different patterns in the ragas he played. Ses fils sont Myrta et Zia Inayat Khan[3],[4]. Vilayat Khan performed at All Bengal Music Conference, as his first concert, organized by Bhupen Ghosh in Kolkata with Ahmed Jan Thirakwa on tabla. Nor two Vilayat Khans. The man, with all his contradictions, comes alive, warm, humane, charming and romantic, at the same time envious, insecure, whimsical and authoritarian. ― Pir Vilayat Inayat Khan, Thinking Like The Universe: The Sufi Path Of Awakening. The only titles he accepted were the special decorations of "Bharat Sitar Samrat" by the Artistes Association of India and "Aftab-e-Sitar" (Sun of the Sitar) from President Fakhruddin Ali Ahmed. Born in an environment of music, he continued with the relentless sadhana (riyaz) that his father and grandfather were known for. By his second marriage, Vilayat Khan had one son, Hidayat (b. [12][3], By his second marriage, Vilayat Khan had one son, Hidayat (b. Shailaja Khanna Ustad Vilayat Khan, arguably the finest sitar player of his generation, had a connection with Shimla that is fast being forgotten. However, one gets a balanced perspective from the noted critic VK Narayana Menon: ‘To have two sitar players in our midst of the calibre of Ustad Vilayat Khan and Pandit Ravi Shankar is a measure of the vitality of the music scene. Sa sœur fut l'héroïne de la seconde guerre mondiale Noor Inayat Khan. As a boy, Vilayat wanted to be a singer; but his mother, herself from a family of vocalists, felt he had a strong responsibility to bear the family torch as a sitar maestro.[4]. As regards who shaped Khan’s music the most, he says, ‘…there are four great singers who have influenced me… Faiyaz Khan was royal and regal and dignified. It is a pity that even Vilayat Khan (1928-2004) could not rise above petty jealousies invoked by the fame of his compatriot.

By his first marriage with Monisha Hazra, a sophisticated Calcutta lady, he had three children, Shujaat, Yaman and Zila. The audience could not agree more.

"[3], In January 2000, when he was awarded the Padma Vibhushan, the second highest civilian award, he again refused, going so far as to call it "an insult". Three great sitarists blossoming in the second half of the last century—Ravi Shankar, Vilayat Khan and Nikhil Banerjee—enriched our instrumental music tradition decisively. [9] In an informal continuation of his Rajput lineage, Vilayat Khan's father Enayat Khan kept a Hindu name of Nath Singh. Vilayat Khan was both a traditional sitar player and a maverick innovator in his music. Vilayat Khan was survived also by his younger brother, Imrat Khan.
This time he stated that he would not accept any award that other sitar players, his juniors and in his opinion less deserving, had been given before him. Though Calcutta was no longer India’s capital, it continued to spawn creativity in every field—art, science, politics and music. [4][5][1][3], However, Enayat Khan died when Vilayat was only ten, so much of his education came from the rest of his family: his uncle, sitar and surbahar maestro Wahid Khan,[4][6] his maternal grandfather, singer Bande Hassan Khan, and his mother, Bashiran Begum, who had studied the practice procedure of his forefathers. We want the individuality, the equipment, the achievement of each in his own respective field.’. His uncle, Zinde Hassan, looked after his riyaz (practice). Certain instances have been recorded by Namita Devidayal, author and journalist, in her impressive book where Vilayat Khan had acted in a manner that would have perhaps behoved a lesser mortal. Some ragas he would somewhat re-interpret (Bhankar, Jaijaivanti), others he invented himself (Enayatkhani Kanada, Sanjh Saravali, Kalavanti, Mand Bhairav), but he was first and foremost a traditional interpreter of grand, basic ragas such as Yaman, Shree, Todi, Darbari and Bhairavi. By his first marriage with Monisha Hazra, a sophisticated Calcutta lady, he had three children, Shujaat, Yaman and Zila. His phenomenal rise as a star musician proceeded together with his flamboyant lifestyle, exemplified by his love for expensive cars, beautiful women, choicest drinks, friendship with the rich and influential. Un article de Wikipédia, l'encyclopédie libre. This family represents the sixthh generation of musicians that dates back to the Mughal Empire. He trained his daughter, Zila, in sitar and vocal music and also made her a formal student in a ceremony in 1991.

The book should interest every person interested in understanding why Vilayat Khan occupies a stellar position in the firmament of Hindustani classical music. Vilayat Inayat Khan est décédé le 17 juin 2004, deux jours avant son 88e anniversaire. We need them both to widen our horizons and enrich our experience. The sitar and Vilayat Khan had become synonymous. https://fr.wikipedia.org/w/index.php?title=Vilayat_Inayat_Khan&oldid=150558174, Élève de l'École normale de musique de Paris, Article de Wikipédia avec notice d'autorité, Portail:Religions et croyances/Articles liés, Portail:Biographie/Articles liés/Culture et arts, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence.


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