. Jim wants Frank to start to act like a man so that he can respect him as a father; Jims family moves constantly, ostensibly to give their son a fresh start each time: I put quotations around the words "essential" in that one line because, really, I'm not totally sure what essential means really when it comes to seeing films from that decade. Hes mine! And man, existing alone, seems himself an episode of little consequence." Ray: Do you think your father means that? Jim feels betrayed both by this fighting and his father's lack of moral strength, causing feelings of unrest and displacement. Dramatica is a registered trademark of Screenplay Systems Incorporated. Does life always give second chances? When his mother, father and grandmother arrive at the police station to retrieve him, conflicts in Jim's family situation are introduced as he explains to the arresting officer. As police approach, the gang flees, leaving Judy behind, but Jim patiently persuades her to leave with him and Plato. This is where we see the first theme of the . Ray wanted to focus on disillusionment and anger among even teens from seemingly comfortable, stable homes. In one of the most influential performances in movie history, James Dean plays Jim, the new kid in town whose loneliness, frustration and anger mirrored those of postwar teens -- and still reverberates more than 50 years later. . Over the years, the film has achieved landmark status for the performance of Dean, fresh from his Oscar nominated role in East of Eden, in his most celebrated role. The three each separately reveal their innermost frustrations to the officers; all three of them suffer from problems at home: On the way to his first day at Dawson High, Jim again meets Judy and offers her a ride. As a teenager, Jim has no wealth of experiences to draw on when faced with a difficult decision, which is why he asks his (presumably experienced) father. To receive a UK cinema certificate the film was extensively cut by the BBFC. Thankfully, LGBTQ teen characters don't have to look too far for onscreen representation these days. You better give me something fast. (Stern 116). Father: Is there some kind of trick answer? Ill stand up with you. In their book Live Fast, Die Young: The Wild Ride Of Making Rebel Without A Cause, film critics Lawrence Frascella and Al Weisel note that an earlier version of the movies script even featured a scene in which Jim and Plato shared a kiss. In 1954 Ray brought his idea, in the form of a treatment called The Blind Run, to Warner Bros., who bought the idea and ultimately asked Ray to merge it with their existing ownership of the Rebel Without a Cause book. Hes sincere. He was best known for his role as John "Plato" Crawford in the drama film Rebel Without a Cause (1955), which earned him a nomination for the Academy Award for Best Supporting Actor at age 17, making him the fifth-youngest nominee in the category. Buzz: I like you, you know? Warner Bros. Pictures, Marlon Brando as a surly motorcycle gang leader in "The Wild One" (1953), James Dean in 1955 . It also taps into a feeling of existentialism, of meaninglessness on a larger scale, with an outstanding scene in the planetarium where Dean's class listen to the lecturer say "to the infinite reaches of space, the problems of man seem trivial and naive indeed. A strong supporting cast included Dennis Hopper, Edward Platt, and Jim Backus, who received praise for his memorable role as Deans henpecked father. According to a Vanity Fair article, star James Dean instructed Mineo to Look at me the way I look at Natalie while the actors were filming a particularly intense scene between their characters. Dont. "[17], Rebel was censored in Britain by the British Board of Film Censors and released with scenes cut and an X-rating. I had to go or I would never have been able to face any of those kids again (Stern 71). Ill take care of him! If she had to pick a favorite horror movie it would probably be The Shining but Ari Asters Hereditary and Midsommar rank in joint second place. [7] At home, Jim ambiguously asks his father for advice about defending one's honor in a dangerous situation, but Frank advises him against confrontation of any kind. To meet the story requirement of becoming, parents must come to the realization that their children are growing up in a much different time than they did, and respect the difficulties these times engender. Thankfully, LGBTQ teen characters dont have to look too far for onscreen representation these days. . The film opens with the image of a seemingly drunken young man named Jim Stark, lying down and playing with a toy monkey. Frank draws on his own experiences and his basic drive to protect his son when Jim pleads with him for advice, telling him Nobody thanks you for sticking your neck out (Stern 72). , and to receive email from Rotten Tomatoes. Plato, concerned that Buzzs friends will do harm to Jim, believes he has no other option but to brandish a gun to protect his friend; Jims angst has turned to utter devastation when Plato is killed, which at this point leaves him one of two options, continue to spiral downward in his depression, or look to his father to resurrect his spirits; once Frank recognizes he may lose his son, he takes the option to grow up to be a real man and father; and so forth. Jim and Frank attain the experience necessary to be a man. (the father is mute, helpless . New and Upcoming Science Fiction and Fantasy. (283). Conflict occurs between father and son when they cannot engage in the kinds of activities that will bring them emotionally closer. For queer viewers, Rebel Without a Cause is seminal for Sal Mineo's portrayal of Plato whom he later referred to as the first gay teenager on film but the entire movie is bathed in a . Jim feels betrayed and anguished by his constantly bickering parents, Frank and Carol, but even more so by his father's timid attitude and failure to stand up to Carol; the issues are further complicated by Frank's interfering mother. The circumstances surrounding Buzzs death force him to deal with how things standlaws have been broken, a boy is dead, and he is neck deep in it: Young people sought to model themselves after the rebellious teen character . [18][19] Most of the knife fight was excised and not shown on British screens until 1967. He criticized the film for overgeneralizing, calling this aspect a "convenient cliche", and summed up his review by describing the film as "a superficial treatment of a vital problem that has been staged brilliantly". In Los Angeles during the mid-1950s, teenager Jim Stark is arrested and taken to the juvenile division of a police station for public intoxication. By what name was Rebel Without a Cause (1955) officially released in India in Hindi? https://www.britannica.com/topic/Rebel-Without-a-Cause, Turner Classic Movies - Rebel Without a Cause, American Film Institute - Rebel Without a Cause (1955), Senses of Cinema - "Rebel Without a Cause", Rebel Without a Cause - Student Encyclopedia (Ages 11 and up). [15], Robert J. Landry, managing editor of Variety magazine at the time, wrote a review published on October 26. Director Nicholas Ray noticed this trend, and became interested in the idea of a film about juvenile delinquents. As an example of the future as the forewarning for the consequence of doing, the chances Buzz takes and his disregard for authority forewarn the likelihood that he will always engage in actions that garner negative attention. You better give me something fast (Stern 73). Jim: (continuing; in rage) You crazy nut! Father: This is news to me! As an example, he is not equipped to deal with Platos instability when he fails to fulfill the boys desire to be his father figure: So what I did is I called an Athenian meeting, Mazzola recalled. Buzz figures out that by calling Jim a chicken he can get a rise out of him; Jim discerns the real cause of why his family cannot stay in one place is predominantly because of his mother; and so forth. Our editors will review what youve submitted and determine whether to revise the article. As Jim involves himself in dangerous and illegal activities, Frank must overcome his ineffectualness to be the man Jim needs to lean on. . The title was adopted from psychiatrist Robert M. Lindner's 1944 book, Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath. Father: For a minute . Ray relented, and Wood was ultimately nominated for an Academy Award for Best Supporting Actress for her performance. . In addition to the Storyform, you'll also find any additional analysis or media related to the story in question. If you want to come we could talk and then in the morning we could have breakfast like my dad used to(he pausesthen excitedly as though an idea had suddenly struck him) Gee . It was demolished just two years after filming.[10]. He is intelligent enough to question potential trouble, and looks to his father for advice. This 10-digit number is your confirmation number. By continuing, you agree to the Privacy Policy and Jims inability to communicate with his parents and other adults . In 1953, he got the chance to play a rebellious young man after all, starring in The Wild One. Why David Duchovny's Trans Twin Peaks Character Denise Was So Groundbreaking, Live Fast, Die Young: The Wild Ride Of Making Rebel Without A Cause, How John Waters Shaped The Simpsons Groundbreaking LGBTQ+ Episode, Top Gun 3 Should Still Use Maverick's Dark Dropped Sequel Story, Quentin Tarantino's Next Movie Breaks A Tradition For The First Time Since 1997, 5 Ways Keanu Reeves Can Return For John Wick 5. Regal The acerbic comment Franks mother makes after Jim explodes in anger in the police station Well you know who he takes after (Stern 14) is an indication of the kind of childhood Frank must have had. Father: Listennobody should make a snap decision . Copyright Fandango. Jim questions him about why, then, must they engage in a dangerous contest: Deans death made the film a must-see, but the making of the film made it a classic that endures today. Jim quarrels with his father for not standing up for him and leaves his home. He referred to a "horrifying duel with switchblades", a "brutal scene", and a "shocking presentation" of a race in stolen automobiles. You're almost there! In the opening scene, three teenagers are held for questioning at the police station as a result of testing their respective parents or guardians boundaries. For the Stark family to be a happy, functional family, Frank must overcome his weaknesses and become a real father to Jim; to be part of a peer group family, one must first become friends with the gang; and so forth. Buzz considers Jim a worthy enough opponent to challenge him to a chickie race which accelerates the process he must go through to be accepted into the gang; after Buzzs death, Plato goes berserk when thinks his father and mother have abandoned him; Buzzs rebel friends thinking Jim has ratted to the police is the catalyst that brings the objective story to its climactic moment. [20] The film was banned in New Zealand in 1955 by Chief Censor Gordon Mirams, out of fears that it would incite 'teenage delinquency', only to be released on appeal the following year with scenes cut and an R16 rating. In the aftermath of Allen's character dying, the film spirals in ways which seem a bit exaggerated. The movie is written and acted so ineptly, directed so sluggishly, that all names but one will be omitted here. (Stern 46). Jim Stark is the new kid in town. Franks structured explanations make problems for Jim. Upon meeting Jim, Platoa friendless misfitimmediately looks up to him as a father figure. To the Privacy Policy and Jims inability to communicate with his father for advice face any of kids. For advice you better give me something fast ( Stern 73 ) enough to question trouble. A review published on October 26 among even teens from seemingly comfortable, homes. Parents and other adults x27 ; t have to look too far for representation. 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